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FILM STUDIES RESOURCES (PRINT)
The books, scripts and journals below are available on a closed reserve basis, ie they are accessible on site but not for loan. Photocopying is available - a small fee applies. The Film Studies Resources section is part of the Resource Centre at the Canberra Museum and Gallery (CMAG), whose opening hours can be found by ringing (02) 6207 9368.
The section is a joint initiative of CMAG, the Big House Film Society, the University of the Third Age film course and the ACT Filmmakers Network, all of whose members have loaned material to this section for public use. Donations, of which the donor retains ownership rights, of appropriate print resources are welcome and can be forwarded to bighousefilm@yahoo.com
| 001.510 W | Watson James and | A Dictionary of Communication and Media | |||||||
| Hill Anne | Studies | ||||||||
| 001.52 A | Carran James, Michael | Mass Communication and Society | |||||||
| Gurevitch and Janet Wollacott | |||||||||
| 016.791 437 5 TIM | Pym John | Time Out Film Guide 6th ed. 1998 | |||||||
| 302.2 C | Kress Gunther | Communication and Culture | |||||||
| 302.2 L | Lewis Glen and Christine Slade | ina Slade | Critical Communication | ||||||
| 302.234 M | MacCabe Colin | High Theory/Low Culture: Analysing | |||||||
| Popular Television and Film | |||||||||
| 303.375 B | Taylor Philip M. | Britain and the Cinema in the Second | |||||||
| World War | |||||||||
| 306.485 0 | O'Regan Tom | Australian Television Culture | |||||||
| 331.761 FAU | Faulkner Robert R. | Music on Demand: Composers and | |||||||
| Careers in the Hollywood Film Industry | |||||||||
| 364.152 W | Wansell Geoffrey | Cary Grant: Haunted Idol | |||||||
| 364.161 MCM | McClintick David | Indecent Exposure: A True Story of | |||||||
| Hollywood | |||||||||
| 384.540 994 | Given Jock | Turning Off the Television: Broadcastings's | |||||||
| Uncertain Future | |||||||||
| 385.554 BAR | Barnouw Erik | Tube of Plenty: The Evolution of American | |||||||
| Television | |||||||||
| 384.554 G | Gitlin Todd | Inside Prime Time | |||||||
| 384.809 GET | Australian Film Commission | Get the Picture: Essential Data on | |||||||
| Australian Film, Television, Video and | |||||||||
| Interactive Media | |||||||||
| 384.809 GET | Australian Film Commission | Get the Picture (2nd copy) | |||||||
| 384.809 21 TOU | Toulet Emmanuelle | Cinema is 100 Years Old | |||||||
| 384.809 41 J | Jones Stephen G. | The British Labour Movement and | |||||||
| Film, 1918-1939 | |||||||||
| 384.809 94 DER | Dermody Susan and Elizabeth | The Screen of Australia: Anatomy of a Film | |||||||
| Jacka | Industry: Volume 1 | ||||||||
| 747.21 K | Kelly Mary Pat | Martin Scorsese: A Journey | |||||||
| 778.534 4 C | Brophy Philip | Cinesonic: Cinema and the Sound of Music | |||||||
| 778 534 9 F | Ferguson Robert | Group Film Making: A Studio Handbook | |||||||
| 778.535 MUR | Murch Walter | In the Blink of an Eye: A Perspective on | |||||||
| Film Editing | |||||||||
| 779.01 P | Donovan Hedley | Life Goes to the Movies | |||||||
| 779.092 A | Vieira Mark A. | Hollywood Portraits: Classic Scene Stills | |||||||
| 1929-41 | |||||||||
| 779.2 V | Richardson Diana Edkins | Vanity Fair: Portraits of an Age 1914-1936 | |||||||
| 782.810 S | Sennett Ted | Great Movie Directors | |||||||
| 791.4 AME | Staples Donald E. | The American Cinema: Voice of America | |||||||
| Forum Series | |||||||||
| 791.4 B | Baxter John | The Australian Cinema | |||||||
| 791.4 M | McMahon Barrie and Robyn | Real Images: Film and Television | |||||||
| Quin | |||||||||
| 791.405 QUA | University of California | The Quarterly of Film, Radio and Television | |||||||
| Vol 6 | |||||||||
| 791.405 QUA | University of California | The Quarterly of Film, Radio and Television | |||||||
| Vol 10 | |||||||||
| 791.409 ROT | Rotha Paul and Richard | The Film Till Now: A Survey of World | |||||||
| Griffith | Cinema | ||||||||
| 791.43 ADA | Adair Gilbert | Flickers: An Illustrated Celebration of | |||||||
| 100 Years of Cinema | |||||||||
| 791.43 AME | Walker Art Centre | The American New Wave 1958-1967 | |||||||
| 791.43 ARN | Arnheim Rudolf | Film as Art | |||||||
| 791.43 AXE | Axelrod George | The Manchurian Candidate | |||||||
| 791.43 B | Bobker Lee R. | Elements of Film | |||||||
| 791.43 BAX | Baxter George | The Australian Cinema | |||||||
| 791.43 BLA | Blatty William P | The Exorcist | |||||||
| 791.43 BRA | Braudy Leo | Shoot the Piano Player | |||||||
| 791.43 BU | Butler Ivan | The Making of Feature Films: A Guide | |||||||
| 791.43 BUR | Burgess Anthony | A Clockwork Orange | |||||||
| 791.43 C | Cameron Ian | A Pictorial History of Crime Films | |||||||
| 791.43 COE | Coen Joel and Ethan | Blood Simple | |||||||
| 791.43 CRO | Crowe Cameron | Almost Famous | |||||||
| 791.43 DIC | Dickinson Thorold | A Discovery of Cinema | |||||||
| 791.43 DUR | Durgnat Raymond | Films and Feelings | |||||||
| 791.43 FAR | Faragoh Francis E | Little Caesar | |||||||
| 791.43 FIL | Speed Maurice F (ed) | Film Review 1976-1977 | |||||||
| 791.43 FIL | Films Incorporated | 1975 Film Rental Catalog | |||||||
| 791.43 FIL | Films Incorporated | 1976 Catalog | |||||||
| 791.43 FRA | Ranvaud Don (ed) | Framework 24 | |||||||
| 791.23 FRA | Fraser Paul & Shane Meadows | TwentyFourSeven | |||||||
| 791.43 FRA | Frank Scott | Out of Sight | |||||||
| 791.43 G | Paris Barry | Garbo: A Biography | |||||||
| 791.43 GAG | Gaghan Stephen | Traffic | |||||||
| 791.43 GRA | Graham Sheilah | Scratch an Actor | |||||||
| 791.43 GRE | Greene Graham | The Third Man | |||||||
| 791.43 HAM | Hammond Lawrence | Thriller Movies: Classic Films of Suspense | |||||||
| 791.43 HOD | Hodges Mike | Get Carter | |||||||
| 791.43 HOU | Houston Penelope | The Contemporary Cinema | |||||||
| 791.43 KAE | Kael Pauline | 5001 Nights at the Movies: An A-Z Film | |||||||
| Guide for Cinema, TV and Video Viewers | |||||||||
| 791.43 KAI | Kaige Chen & Tony Rayns | The King of the Children & The New Chinese | |||||||
| Cinema | |||||||||
| 791.43 KLA | Klawans Stuart | Film Follies: The Cinema Out of Order | |||||||
| 791.43 LEH | Lehman Ernest | North by Northwest | |||||||
| 791.43 MAC | Macmillan | Audio Brandon Films | |||||||
| 791.43 MAN | Robinson W.R. | Man and the Movies | |||||||
| 791.43 MCA | McCarty John | Thrillers: Seven Decades of Classic Film | |||||||
| Suspense | |||||||||
| 791.43 MON | Monaco James | How to Read a Film | |||||||
| 791.43 NUG | Nugent Frank S | The Searchers | |||||||
| 791.43 NAH | Naha Ed | The Films of Roger Corman | |||||||
| 791.43 OLD | Oldman Gary | Nil By Mouth | |||||||
| 791.43 PEA | Peary Danny | Omni's Screen Flights/Screen Fantasies: | |||||||
| The Future According to Sci Fi Cinema | |||||||||
| 791.43 PEA | Peary Danny | Cult Movies | |||||||
| 791.43 PEA | Peary Danny | Cult Movies 2 | |||||||
| 791.43 PEA | Peary Danny | Cult Movies 3 | |||||||
| 791.43 PHI | Phillips Gene D | Hemingway and Film | |||||||
| 791.43 R | Reynertson A.J. | The Work of the Film Director | |||||||
| 791.43 ROB | Robinson Bruce | Withnail and I | |||||||
| 791.43 SCH | Schrader Paul | Taxi Driver | |||||||
| 791.43 SCO | Scorsese Martin and Nicholas | GoodFellas | |||||||
| Pileggi | |||||||||
| 791.43 SIL | Silver Charles | The Western Film | |||||||
| 791.43 SOD | Soderbergh Steven | Sex, Lies and Videotape | |||||||
| 791.43 STO | Stokes Jane | On Screen Rivals: Cinema & Television | |||||||
| 791.43 T | Townsend Derek | Cine Photography | |||||||
| 791.43 THO | Thomson David | Movie Man | |||||||
| 791.43 TYL | Tyler Parker | Classics of the Foreign Film | |||||||
| 791.43 WAR | Warner Bros. | Film Gallery 1972 | |||||||
| 791.43 ZOL | Zolotow Maurice | Billy Wilder in Hollywood | |||||||
| 791.430 A | Armes Roy | A Critical History of British Cinema | |||||||
| 791.430 B | DeNeut Richard | Inside Hollywood: 60 years of Globe | |||||||
| 791.430 B | Harrington John | The Rhetoric of Film | |||||||
| 791.430 B | Baxter John | Science Fiction in the Cinema | |||||||
| 791.430 BUT | Butler Ivan | Religion in the Cinema | |||||||
| 791.430 D | Davidson Bill | Spencer Tracy | |||||||
| 791.430 L | Rodley Chris | Lynch on Lynch | |||||||
| 791.430 M | Guiles Fred Lawrence | Norma Jean: Fred Lawrence Guiles' | |||||||
| 791.430 S | Sennett Robert S. | Hollywood Hoopla: Creating Stars and | |||||||
| Selling Movies in the Goldern Age of | |||||||||
| Hollywood | |||||||||
| 791.430 S | Shand John and Tony | Don't Shoot the Best Boy! The Film Crew | |||||||
| Wellington | at Work | ||||||||
| 791.430 S | Sherman Eric | Directing the Film: Film Directors on their | |||||||
| Art | |||||||||
| 791.430 S | Silver Alain and James Ursini | More Things Than Are Dreamt Of: Master- | |||||||
| pieces of Supernatural Horror - in Literature | |||||||||
| and Film | |||||||||
| 701.430 S | Strick Phillip | Science Fiction Movies | |||||||
| 791.430 V | Baxter John | King Vidor | |||||||
| 791 430 W | Wayne Jane Ellen | Stanwyck: A Penetrating Look at the | |||||||
| Passionate Up-and-Down Life of the | |||||||||
| Maverick Queen of the Movies | |||||||||
| 791.430 W | Wollen Peter | Signs and Meaning in the Cinema | |||||||
| 791.430 1 FIL | Geduld Harry M. | Film Makers on Film Making | |||||||
| 791.430 15 MON | Monaco James | How to Read a Film: The Art, Technology | |||||||
| Language, History, and Theory of Film and | |||||||||
| Media | |||||||||
| 791 430 2 H | Huss Roy and Norman | The Film Experience: Elements of Motion | |||||||
| Silverstein | Picture Art | ||||||||
| 791.430 23 HIG | Higham Charles and Joel | The Celluloid Muse: Hollywood Directors | |||||||
| Greenberg | Speak | ||||||||
| 791.430 230 SEC | Studio Vista | Second Wave: Newer Than New Wave | |||||||
| Names in World Cinema | |||||||||
| 791.430 230 TRU | Truffaut Francois | Hitchcock: Updated Edition | |||||||
| 791.430 232 GUS | Gussow Mel | Darry F. Zanuck: 'Don't Say Yes Until I | |||||||
| Finish Talking' | |||||||||
| 791.430 232 M | Mosley Leonard | Zanuck: The Rise and Fall of Hollywood's | |||||||
| Last Tycoon. | |||||||||
| 791.430 233 BAX | Baxter John | The Cinema of John Ford | |||||||
| 791.430 233 BIS | Biskind Peter | Easy Riders Raging Bulls: How the Sex N | |||||||
| Rock N Roll Generation Saved Hollywood | |||||||||
| 791.430 233 BOG | Bogdanovich Peter | John Ford | |||||||
| 791.430 233 BOG | Bogdanovich Peter | Fritz Lang | |||||||
| 791.430 233 CAR | Carney Ray | The Films of John Cassavetes: The | |||||||
| Adventure of Insecurity | |||||||||
| 791.430 233 JAC | Jacobs Diane | Hollywood Renaissance: The New | |||||||
| Generation of Filmmakers and Their Works | |||||||||
| 791.430 233 MCB | McBride James | Orson Welles | |||||||
| 791.430 233 SPO | Spoto Donald | The Dark Side of Genius: The Life of | |||||||
| Alfred Hitchcock | |||||||||
| 791.430 233 092 | Hall Ken G. | Directed by Ken G. Hall: Autobiography of | |||||||
| an Australian film maker | |||||||||
| 791.430 233 092 | Harris Robert A. and | The Films of Alfred Hitchcock | |||||||
| Michael S. Lasky | |||||||||
| 791.430 233 092 | Kaminsky Stuart | John Huston: Maker of Magic | |||||||
| 791.430 233 092 | Leaming Barbara | Polanski: His Life and Films | |||||||
| 791.430 233 092 | Monaco James | The New Wave: Trauuaut, Godart, Chabrol, | |||||||
| Rivette | |||||||||
| 791.430 233 092 2 | Harcourt Peter | Six European Directors: Eisenstein, | |||||||
| Renoir, Bunuel, Bergman, Fellini, Godard | |||||||||
| 791.430 233 092 21 | Slide Anthony | De Toth on De Toth: Putting the Drama in | |||||||
| Front of the Camera | |||||||||
| 791.430 233 092 4 | Wood Robin | Howard Hawks | |||||||
| 791.430 233 092 4 | Zolotow Maurice | Billy Wilder in Hollywood | |||||||
| 791.430 239 GEL | Gelmis Joseph | The Film Director as Superstar | |||||||
| 791.430 280 LAW | Lawford Patricia Seaton | The Peter Lawford Story: Life With the | |||||||
| Kennedys, Monroe and the Rat Pack | |||||||||
| 791.430 280 LAG | LaGuardia Robert | Montgomery Clift: A Biography | |||||||
| 791.430 280 LEA | Leaming Barbara | It This Was Happiness: A Biography of | |||||||
| Rita Hayworth | |||||||||
| 791.430 280 YAB | Yablonsky Lewis | George Raft | |||||||
| 791.430 3 GRA | Graham Peter | A Dictionary of Cinema | |||||||
| 791.430 321 HAL | Walker John | Halliwell's Filmgoer's Companion 10th ed. | |||||||
| 791.430 321 HAL | Walker John | Halliwell's Film Guide 11th Edition | |||||||
| 791.430 688 S | Stott Jennifer | Taking Care if Business: Marketing and | |||||||
| Distribution: A Practical Guide | |||||||||
| 791.430 8 TAL | Talbot Daniel | Film: An Anthology | |||||||
| 791.430 9 0 | MacGowan Kenneth | Behind the Screen: The History and | |||||||
| Techniques of the Motion Picture | |||||||||
| 791.430 9 0 | O'Leary Liam | The Silent Cinema | |||||||
| 791.430 9 TYL | Tyler Parker | Underground Film: A Critical History | |||||||
| 791.430 9 TYL | Tyler Parker | Underground Film | |||||||
| 791.430 909 353 | Mottram James | Public Enemies: The Gangster Movie A-Z | |||||||
| 791.430 922 EYL | Eyles Allen | The Marx Brothers: The World of Comedy | |||||||
| 791.430 922 S | Shipman David | The Great Movies Stars | |||||||
| 791.430 924 PAR | Parker John | Polanski | |||||||
| 791.430 94 ARM | Armes Roy | The Ambiguous Image | |||||||
| 791.430 943 EIS | Eisner Lottie | The Haunted Screen | |||||||
| 791.430 973 BOG | Bogdanovich Peter | Picture Shows: Peter Bogdanovich on the | |||||||
| Movies | |||||||||
| 791.430 973 MON | Monaco James | American Film Now: The People, The | |||||||
| Power, The Money, The Movies | |||||||||
| 791.430 973 MCC | Harcourt Brace Jovanovich | Movies: Conversations With Peter | |||||||
| Bogdanovich | |||||||||
| 791.430 973 090 44 | McClelland Doug | The Golden Age of B Movies | |||||||
| 791.430 973 090 46 | Morden Ethan | Medium Cool | |||||||
| 791.430 994 | Australian Film Institute | A Century of Australian Cinema | |||||||
| 791.430 994 | Murray Scott | Australian Film 1978-1992 | |||||||
| 791.430 994 COL | Collins Diane | Hollywood Down Under: Australians at the | |||||||
| Movies: 1896 to the Present Day | |||||||||
| 791.430 994 HAL | Hall Sandra | Critical Business: The New Australian | |||||||
| Cinema in Review | |||||||||
| 791.430 994 MOL | Molloy Bruce | Before Interval: Australian Mythology | |||||||
| and Feature Films, 1930-1960 | |||||||||
| 791.430 994 REA | Reade Eric | The Australian Screen: A Pictorial | |||||||
| History of Australian Film Making | |||||||||
| 791.430 994 SCR | Berryman Ken | Screening The Past: Aspects of Early | |||||||
| Australian Film | |||||||||
| 791.432 809 | WHI | Whitman Mark | The Films of Clint Eastwood | ||||||
| 791.436 582 1 NEW | Newman Kim | Apocalypse Movies: End of the World | |||||||
| Cinema | |||||||||
| 791.437 A | Agel Jerome | The Making of Kubrick's 2001 | |||||||
| 791.437 M | Agel Jerome | The Making of Kubrick's 2001 (2nd copy) | |||||||
| 791.437 CHA | Chandler Raymond | The Blue Dahlia: A Screenplay | |||||||
| 791.437 H | Eyles Allen, Robert Adkinson | The House of Horror: The Story of | |||||||
| and Nicholas Fry | Hammer Films | ||||||||
| 791.437 L | Lambert Gavin | GWTW: The Making Of Gone With The | |||||||